01/25/2005: "Review CD by English fan (girl singer
Elektra)"
Decibel
reverence
"I fell in love again.. it took me by surprise.. it took me by
surprise..' Troubles
It's taken me a while to even prepare to write any kind of review of
this CD because I've been caught up in listening to it. I listen to it
every day.. sometimes twice all the way through. It was introduced to
me with the single 'Troubles' playlisted on Radio 6 Int'l last year and
often played back to back with Electra's Jonny Cash. The song seeped
into my sub-consciousness first as an irritant. It was a highly
emotional song, sung by a young guy clearly off his head in love with
some woman. My initial response to it was 'what the f*ck is this guy
whining about? "and when she came...." in that pained voice'. Yeah..
and when she came.. it must have rocked his world. A few more listens
and I just wanted to be that girl.
As I wrote somewhere else: "CafeBar 401's track 'Troubles' should be
listened to by every man who's ever loved a woman far beyond the
reaches of his own sanity and for every woman who's ever been loved
that way. Deep, powerful, celestial and true.. the rest of the album is
quite good as well."
I'm still not sure how to tell you this is a wonderful CD from start to
finish.. so this review is a work in progress.... while I think about
it and listen to it some more.. Sometimes.. it reminds me vaguely of
Chris Cornell in approach and chord shifts .. not in vocal power, but
emotion (although many of the tracks on the CD veer into heavier
territory)... but, there's something else going on.. when I've gathered
my thoughts and can behave in a more professional writerly fashion.. I
will. It's still early days in a New Year. I need some time to get
myself together.
In the meantime.. the songwriter is Tije Oortwin and the websites are:
http://www.cafebar401.com
http://www.cdbaby.com/cd/cafebar401 (CD Baby write an absolutely
storming and perfect review of the CD, so I won't bother to rewrite
mine!)
12/07/2004: "Wow ! 2 Nominations on groovevolt.com
(USA)"
groovevolt.com
| it's your music
Rock:
BEST ALBUM – MALE
Rock & Roll, Ryan Adams
Two Way Monologue, Sondre Lerche
One Plus One is One, Badly Drawn Boy
You Are the Quarry, Morrissey
Tell Balgeary Balgury Is Dead, Ted Leo/The Pharmacists
BEST ALBUM – FEMALE
Call off the Search, Katie Melua
Finally Woken, Jem
Medulla, Björk
Van Lear Rose, Loretta Lynn
Uh Huh Her, PJ Harvey
BEST ALBUM – BAND, DUO OR GROUP
20,000 Streets Under the Sky, Marah
Hot Fuss, The Killers
The Libertines, The Libertines
Cafebar 401, Cafebar 401
Franz Ferdinand, Franz Ferdinand
Modern Artillery, The Living End
BEST DEEP CUT – ROCK
“Yoshimi Battles the Pink Robots” (Japanese version), The Flaming Lips
“Steve McQueen,” Lambchop
“Something Worth Dying For,” Cafebar 401
“Texas Is the Reason,” Spiraling
“Dreaming in Two Hour Drives,” Teitur
08/31/2004: "Review by Roy Opochinski"
groovevolt.com
| it's your music.
I've spent the better part of the past two months trying to verbalize
exactly what it is that makes Cafebar 401's self-titled disc one of the
best discs of the year. It's simple for a reviewer to make such a lofty
statement, but often more difficult to verbalize the reasons for and to
justify said statement.
But the more I listen to this eminently-listenable disc from this Dutch
group -- and I do listen to it, over and over again, out of desire and
not out of obligation -- the more clear the reasons for my proclamation
become.
First, Cafebar 401 reminds me of another great, underappreciated disc
of recent vintage: Idlewild's The Remote Part. While not all the songs
on Cafebar 401 fit the mold (a good thing, incidentally), some of them
do, notably “Many Left Here Long Ago,” “Something Worth Dying For,” and
“Sense Working Overtime,” whose “wherever she goes she blows me away”
chorus is nothing short of brilliant.
Perhaps it's frontman Tije Oortwijn's singing is ideal for the
alternative Euro-rock tracks the band has put to record. Perhaps it's
the way in which one song flows generously into the next without
sounding like the previous track in much the same way that a great mix
tape does. For example, the opening track, “Full Pro Disco,” gives
little insight into what listeners will find on the remainder of the
disc; however, at the same time, it draws the listener in, daring him
to venture further.
Equally impressive is the band's ability to downshift on tracks like
“Lost Without You” (which bears a passing resemblance to the Red Hot
Chili Peppers' “Under the Bridge”) and “Troubles” and then pick up the
tempo again on tracks like “Bob Ross on Drugs” and “2 AM.”
“Today” out-Coldplays Coldplay, and it's at about this point in the
disc where you realize you're almost to the end and completely mad
about this stunning CD. Oortwijn has a beautiful singing voice and he
works it out here.
It's about time that people woke up and discovered Wampus Multimedia.
This is one of the best indie labels in the country; one that really
feels like an indie. They expose people to high-quality artists
unfamiliar to many and do not try to saturate the market with too many
releases. I cannot remember the last time that I was disappointed by a
Wampus release, and, more often then not, the discs they release end up
on my year-end best of list. If this sounds like a commercial, maybe it
is. (Though, since I'm not being paid for this, you can consider it
more of a public service announcement.) Find this disc (it's available
at cdbaby.com and at Wampus Multimedia's Web site (www.wampus.com).
Though it might sound cliché, there is not a single track on the album
that does not deserve your attention. Consider about how few albums one
can say that. Cafebar 401 might not be a household name in North
America, but they certainly deserve to be.
Cafebar 401
"Cafebar 401"
Wampus Multimedia
Rating: A
RELEASED DATE:
May 21, 2004
CD REVIEWED BY:
Roy Opochinski
BUY THIS ALBUM
N/A
06/17/2004: "Review on Smother.net (USA)"
Smother.Net
Cafebar 401 - Cafebar 401
The Netherlands' Cafebar 401 are the perfect injection into modern
alternative's lackluster and collapsed veins. Evoking images of early
Foo Fighters with electronics this side of Beck and that side of
Timbaland, Cafebar 401 even through in fuzzy guitars not properly heard
on non-stoner rock albums. They could be the recreation of someone
important enough to sit side by side to a Weezer or Nirvana while
effortlessly recalling past efforts of the ‘90's greats in the alt-rock
scene. Vocally they're on target with melody firmly held and shedding
gruffness for a coalesced minimalism in guitar-driven rock's arena.
Then you also have numbers like “Senses Working Overtime” that finds
the quartet impatiently plunking at their instruments driving each
other to insanity with frenetic confusion. This is a must-hear.
- J-Sin
06/17/2004: "Review on CD Baby"
CD
Baby: CAFEBAR 401: Cafebar 401 - hear and buy it at CD BABY.
Cafebar 401: Lush, Lean, Powerful Melodic Rock
Reviewer: Billy Santee
Fantastic! Cafebar 401 an inspired mix of melodic pop and dark
sentiment -- from the taut, power-rock hook of Full-pro Disco, through
the mesmerising vocal-piano ensemble build of Troubles, to the
INCREDIBLE MIRACLE that is the song, I Need to Know. I NEED TO KNOW.
Play it and be amazed. An awesome CD. An awesome achievement. Cafebar
401 another GREAT entry from the Wampus label.
06/23/2004: "Another Review from the States"
Norman
Famous' Reviews Cafebar 401, "Cafebar 401" (Wampus Records)
Dutch alterna-rockers Cafebar 401 play some engagingly quirky euro-pop
on their new, self-titled CD. From a kitchen sink of influences, this
talented quartet has culled a style that is unique but recognizable, if
that makes any sense. The record starts out light and frothy with the
ironically titled (I hope) "Full-pro Disco" which thrashes
energetically. The R.E.M.-ish "Many left
here long ago" follows, making things all dreamy and spooky. "Senses
working overtime", the next cut, sounds not unlike Radiohead, only not
as self-conciously portentous. "Something worth dying for" sounds again
like Radiohead, and...wait, you know what? A LOT of this record sounds
like Radiohead! In fact, this band sounds like Radiohead would sound if
they enjoyed what they were doing. In fact, I'd rather buy a Cafebar
401 record than a Radiohead record. But that's just me. Good band, good
tunes. So what if they mostly sound like Radiohead?
Norman Famous
06/30/2004: "New Review from the USA"
Music
Spectrum
English Dance Rock: Cafebar 401's Cafebar 401
Released today, Cafebar 401's self-titled album introduces this Dutch
band that's a bit beyond easy description. Alternative-garage-beat ‘n'
bass-pop band.
“Full-Pro Disco” has that combination of hard rock with dance
tendencies like Skillet, Placebo, or what Jesus Jones would be if the
guitars were raunchier. “Senses Working Overtime” borrows a title from
a classic XTC song, but that's about all this song takes from XTC. The
sound is hard rock coupled with Tije Oortwijn's falsetto vocals on the
chorus. I suppose you could call it all melodic hard-edged dance rock.
However, when the acoustic guitars and balladic breaks come in,
featuring Oortwijn's plaintive vocals, I'm ready to have Cafebar 401
jump all the way from English Dance Rock to American Dance Rock where
there are many grittier bands who are also ready with melodic blends of
distortion and ballad, like Audio Adrenaline, delirious?, Seven Day
Jesus, or Bleach. Interestingly, that little group of Christian bands
ends up together partly because their harder-edged songs are always
tempered by a production that keeps their vocals on top of the mix.
I've always assumed that this sound would typify Christian band due to
the mission of getting the message heard, but here Cafebar 401, without
being a labeled Christian band (I can't speak for their personal
faith), has a similar mix, the vocals rising above the bursts of
guitars.
Ah, but I'd have to have good reason to bring a Euro band from the
European side of the Spectrum to the American side. I do it with
certain bands when the influences or style seem to much like they come
from the opposite side of the pond, but there's got to be a reason.
Cafebar 401 fits in nicely next to Placebo with that combination of a
core of heavy guitar, lyrical flourish, and dance beats.
Towards the end of the album, “Today” takes Oortwijn's acoustic ballad,
kicks in a spare snare/high hat beat, topped by a bright, wandering
keyboard line. It is a song mourning for a lost relationship (“I'm
sure/It's over now/We're older now”), and the beat and keyboard while
headed in a slightly more upbeat direction, actually only make the
grief in Ooortwijn's vocals all that more apparent.
Cafebar 401 shows that they understand how to take these
combinations—hard rock guitar, keyboards, singer/songwriter lyrics,
dance beats—and use them to actually move the song forward, to create a
feeling and style that works towards the song. This isn't some grand
experiment, “let's see if we can put all of this stuff together.” This
is a band creating something that couldn't happen without each of the
pieces being present.
Following “Today” is the despairing “Using Few Words.” A guy I've been
visiting in the county jail asked me, “How do people view God? Do all
people view Him as forgiving?” Here's the song for us to talk about and
explore how people view God. Oortwijn cries out, “I never thought her
dad would die/He using few words told his daughter goodbye/Do you
believe?/She thought she had/When God turns His back on you/It's the
devil instead.” In those moments when God seems absent, it is hard to
believe that He is truly there. “Using Few Words” is one of those songs
that forces to take a look at those difficult questions.
You come a long way on Cafebar 401's debut album, from the full-on fun
of “Full-Pro Disco!” to those closing plaintive songs. Yet, there's no
dragging-and-kicking here; you'll be glad to go with Cafebar 401 from
start to finish.
Thanks to Cafebar 401 and Mark at Wampus Multimedia for the review copy
Pastor Ben Squires
Redeemer Lutheran Church
1712 Menasha Avenue
Manitowoc, WI 54220
920-684-3989
920-684-3277 (fax)
http://musicspectrum.blogspot.com
http://mondevotions.blogspot.com
07/12/2004: "Nice words about cafebar 401"
Dollev
Deviates
Cafebar 401
Ok, i'm the first who admits that, compared with Belgium and the
Scandinavian countries, the Dutch music scene kinda sucks. But with
Cafebar 401 the Dutch finally have a band that they can be proud of.
Granted, the influences of bands like Queens Of The Stone Age and Muse
are a little bit too obvious in some songs. But never the less i really
like this album and it's on top of my CD-Baby wish list. It's high time
to place another order.
Click here to listen to fragments of the album. Check it out,
especially if your name is Andre! :)
posted by dollev
07/15/2004: "Another Review"
5gode
Cafebar 401; Cafebar 401
Wow, this band should be all over modern-rock radio right now. They're
amazing. Hailing from Holland, Cafebar 401 specialize in a sound that
sometimes seems very British, especially the vocals remind me of bands
from the melancholic indie/Brit pop-rock world, but as those bands
often keep a rather simplistic and laid-back style to their songs
Cafebar 401 sticks out with their lively guitar power-pop oftentimes
sounding like Foo Fighters and/or even The Rasmus (check those
breakdowns). I cannot say enough good things about this album, I just
hope these guys get the attention they deserve. (5*-)
07/16/2004: "Thank u Dollev"
Dollev
Deviates
Bob Ross On Drugs
The people of Cafebar 401 were so kind to sent me a copy of their debut
album. I haven't had the time really to listen to it (yet), but i will
soon and take some time to write a little review. But there is one song
that stood out because of the fabulous title: Bob Ross On Drugs. There
you have a title that makes the imagination work. I used mine on
photoshop, just to say thanks for the generous gift of the band. I also
put the song on the play list of Dollev Noizes and of course on
Deviation Station.
If you like what you hear (and i would be surprised if you don't), you
can find out more about the band on the following websites:
cafebar401.com
cdbaby.com
By the way, this song has a lot more going for it than just a great
title. Bob Ross has that kind of "controlled heaviness" that i really
love. And just listen to that finale. Mind blowing. And there is no
trying here. Every member of the band knows what has to be done to make
this song work, and they home in on their goal with deadly precision.
If Bob Ross still would be around, he would have felt flattered by this
song.
I will write more about Cafebar 401's debut album later. For now i'll
just click on the hairy chested clown.
You should too.
It may take some time to load but at the moment the clown Dollev Noizes
appears
a click on the clown links to his blog radio. The link www.dollev.com
links to another radio station of Dollev
07/16/2004: "Dollev deviates"
This is the picture Dollev made !
SEE ENTRY BELOW
07/20/2004: "New review from the States"
UNDERGROUND
SOUND - MUSIC REVIEWS - by A. Madman
CAFEBAR 401 - S/T
Right off the bat, you know this band is not from America. They
subdivide the minimalist euro-rock flow some into alternapop, the other
resulting juice into something experimented with in the garage; the
concoction they get has legs, balls, and a face of it's own. From
simple toggle switching cuts (Many Left Here Long Before) to the punk
driven "Full-pro Disco", there's some cool shit happenin'. As hard as
it for people to fantom, this punk rock, in that it uses standard rock
n roll, powerchorded with virtue of the singalong. Simple, effective,
groovin' (check out the classic Bob Ross On Drugs). They touch the
psyche many times, mostly to add flavor. The phrasing is sometimes
forced into a pop vibe, but I get the impression that might be part of
their trip. Being Dutch, the feel is more than part of their scene,
it's part of their essence. Contact: http://www.cafebar401.nl,
http://www.wampus.com - Mark Doyon wampusmail2@wampus.com
07/28/2004: "New Review USA"
babysue®:
LMNOP® Reviews - August 2004
Cafebar 401 - Cafebar 401 (CD, Wampus Multimedia, Mid-tempo pop)
Rarely do we get a taste of Dutch underground pop. The music of Cafebar
401 is presented to the world by the open-minded folks at Wampus
Multimedia..."an indie label run by artists, for artists." The band is
a guitar-based pop quartet whose music sounds not unlike an updated,
more normal, poppier version of Split Enz. The vocals are particularly
similar to Neil Finn. The guys in Cafebar 401 look like regular
guys...and their music is almost...normal. While the band's tunes are
upbeat and hummable, there are some slightly dark threads running
through the music that give it a strange curve. The tunes on Cafebar
401 operate smoothly in mid-tempo mode from start to finish. The band
does occasionally display some rock and roll tendencies but these tunes
are, for the most part, rather subdued. The band has already generated
a good buzz in The Netherlands. With this album, they are hoping to
expand the boundaries of their influence. Infectious tunes include
"Full-Pro Disco!," "Something Worth Dying For," and "Bob Ross on
Drugs." Good stuff. (Rating: 4+++)
08/31/2004: "Review on aftertastemag.com"
aftertaste
magazine
Although I don't really know what a Cafebar 401 is, I know what it
does. It induces a feverish love of Belgian music.
Cafebar 401 releases a welcome breath of dark pop melody into already
whispy and wiry art rock. But at the corner of every hook lies a new
fuzzed guitar wank or bass tumble. It's Euro-rock (Radiohead) with a
bit of the Queens of the Stone Age tossed in for a wake-up.
It's danceable and fun, but rooted in experimentation and combination.
Key tracks include: Full-Pro Disco (what a refrain!) and Something
Worth Dying For.
By MFS
Out of 5, this rates a 4
09/09/2004: "Review on kweevak.com"
Kweevak's
Tracks: Indie, Independent & Mainstream CD Reviews
CAFEBAR 401 – CAFEBAR 401: Cafebar 401 is based out of the Netherlands
and recently signed on with Wampus Multimedia for distribution in the
United States. This four-man band brews a fresh, high-energy blend of
euro-rock, alternative, pop and emo. Tije Oortwijn the composer and
lead vocalist for the band sings with passion and precision. Tije has
an incredible vocal range and intensity. The stimulating rhythms and
strong guitar leads of Cafebar 401 will jolt you like a good cup of
coffee. Their debut CD is potent and in particular the first three eye
opening tracks. 'Full-pro Disco' has a hard driving beat speeding over
the main refrain of the song as the guitar rifts race, yet the song
still takes a number of musical turns along the way. 'Many Left Here
Long Before' is more melodic with memorizing vocals, dynamic
instrumentation and later in the song experimental electronic sounds.
'Senses Working Overtime' has a dark edgy vibe with a heavy beat and
dramatic guitar licks. But the power punch of the song is the high note
vocal hooks layered over forceful instrumentation. Cafebar 401 is a
premium blend of modern rock and memorizing melodies!
• Recommended Tracks: (1,2,3) [USA/VA 2004 - web] (Review by Laura
Turner Lynch for Kweevak.com)
09/14/2004: "New Review on leftofthedial.com"
LEFT
OFF THE DIAL - Album Reviews - Cafebar 401: Self-Titled
Cafebar 401 are Dutch! I know – very exciting and almost irrelevant.
They don't sound Dutch to be sure; however they have a distinctly
British flavor to their pop musical construction. In “Many Left Here
Long Before,” I am reminded of Richard Ashcroft's solo work.
This band will undoubtedly be compared to many Euro bands before them,
and that would not be an insult. The difference is that they have
recorded a well put together album that plays as nice and constant, and
many others cannot claim such a feat. There are no shocking, crazy
songs thrown in for effect. There are a couple of songs that make you
want to cry, which I always love. The upbeat tunes aren't too much that
they distract from the calming effect the album has as a whole. My
favorite song by far is “Troubles.” I love when a boy admits how much a
gal can affect him… it is passionate and tragic and it makes me feel
like I am in a movie. In fact, I might even add this song to my “if
they made a movie about my life, what would the soundtrack be” list.
Then someone could sing this about me… “Touched by everything she said,
As I lied beneath her head, I'm crazy about her!” Enough! Cafebar 401
also has a song titled “Bob Ross on Drugs” which no doubt is a twisted
ode to the ‘fro-wearing, “happy painter” who just loved nature scenes.
Aw, Bob Ross.
A great debut album from a band soon to be well known.
-Brenna Krause
9/13/04
09/27/2004: "It goes on and on"
Cafebar
401 Reviews
Review by: Jason Warburg
Originally published: September 24, 2004
Big buzzy guitars, spacey vocals, hypnotic repetition and a decidedly
European avant-garde vibe… take Bowie, sprinkle with Moby (for
moodiness and trance qualities), and fold in some Jet (for decibels and
energy), and you have the latest Dutch treat to make it across the
pond, the Netherlands' own Cafebar 401.
Led by Tije Oortwijn (guitars, vocals, songwriting, production),
Cafebar whips up a high-energy concoction full of melody and off-center
attitude. "I read a book about your life," sings Oortwijn at one point.
"It gave me a headache." LOL… and there's more where that came from.
I don't know if anybody dances to power chords these days, but having
survived the disco era, I'm intrigued by the possibilities of throbbing
numbers like "Something Worth Dying For" and "Full Pro Disco!" (which
sounds more like Black Sabbath than Donna Summer). Both offer flashes
of a kind of emo soft/hard feel that's explored further on tracks like
"Lost Without You" and the disc's first single, "I Need To Know."
There are also some quiet-and-thoughtful moments captured here, notably
on the piano ballad "Troubles." But Cafebar more typically provides the
kind of sonic jolt implied by their caffeinated name -- not to mention
song titles like "Bob Ross On Drugs." Frenetic, frothy, yearning,
melodic, trance-y… these are not adjectives you commonly see nested
together, but Cafebar achieves them all along the way.
In addition to mastermind Tije Oortwijn, the band includes Martijn
Masman (bass), Dennis Kleinlangevelsloo (guitars) and Wout Oosterwechel
(drums), whose names I have included in this review principally to try
to make you laugh out loud like I did the first time I read them. (No
doubt the Dutch feel the same way about Jack Johnson.)
Cafebar 401's U.S. invasion is in the capable hands of Wampus
Multimedia; you can pick up this disc with a few quick clicks at
www.wampus.com. If you're looking for something a little unusual --
kind of off-center, sometimes soft and sometimes hard, somewhat
continental and consistently well put together -- you could go out
searching for Uma Thurman, or you could just belly up to the Cafebar.
They won't disappoint... and they won't attack you with a large sword,
either.
RATING: B
© 2004 Jason Warburg and "The Daily Vault." All rights reserved. Review
or any portion may not be reproduced without written permission. Cover
art is the intellectual property of the record label, and is used for
informational purposes only.
10/11/2004: "review on indie-music"
Indie-Music.com
- Cafebar 401 ~ Self-Titled
Artist: Cafebar 401
CD: Cafebar 401
Home: The Netherlands
Style: Euro-Pop
Quote: "You're not sure why, but you keep playing it — over and over
and over again ... "
By Aaron Bragg
What with the dearth of really, really good pop of late, the advent of
Dutch quartet Cafebar 401 should be cause for unbridled celebration.
Made up of guys with largely unpronounceable, well ... Dutch names
(Wout Oosterwechel, drums; Tije Oortwijn, vocals and guitar; Dennis
Klein langevelsloo, guitar and effects; and Martijn Masman, bass)
they've released an eponymous debut that is at once emo art-pop and
danceable Euro-groove — and brilliant in its blending of Bowie, Queens
of the Stone Age, and (shudder) the ubiquitous Coldplay.
That's not to suggest that Cafebar 401 is a bunch of copycats in wooden
shoes — quite the contrary, as even a cursory listen will prove
otherwise. Whether it's the infectious “Full-pro Disco” or the
power-chord intro to “Senses Working Overtime,” it's immediately
evident that, from a songwriting standpoint at least, these guys offer
something quite different from the usual pop rabble littering the
charts.
And the musicianship? Nothing spectacular — but that's not a bad thing.
For Cafebar 401 is more the sum of its parts than an exercise in
virtuoso fireworks. It's about the groove, man. And any attempt to be
coldly analytical — to dissect musically what it is these guys are
doing — is an exercise in futility. (Case in point: At least eight of
the eleven tracks have been my favorite since I first received this
disc.)
The question is not what the high point of Cafebar 401 is; on the
contrary, the trick is to determine the weakest track. I'll save you
the trouble: There is none. And if you think I'm engaging in breathless
hyperbole, give it a listen. Just once. You'll wonder at my restraint.
The thing is, superlatives fail to accurately capture what Cafebar 401
has so capably put on plastic, and that's not an easy thing for a music
critic to admit. This is one of those records that immediately begs for
a place on your “best of” list at the end of the year. You're not sure
why, but you keep playing it — over and over and over again — and, with
each successive listen, you become more certain that what you're
hearing is somehow important.
If there were any justice in the music business, Cafebar 401 would be
the Next Big Thing. I, for one, look forward to more from these guys.
10/11/2004: "Review from the UK peterjolly.co.uk"
Music
- Page: 40 of 60
This Dutch band are currently setting the Euro-rock scene ablaze with
their contemporary sound which mixes hard rock and bittersweet
melodies. 'Full-pro Disco!' is a cracking romp through post-grunge
guitar rock, although it is misleading to expect the rest of the album
to sound quite like that. 'Senses Working Overtime' (not the XTC song)
does have some great heavy riffing at the end, and 'Something Worth
Dying For' consists mainly of the title being repeated over a
persistent guitar riff. They do ballads as well, with 'Lost Without
You' and 'Many Left Here Long Before' being a welcome lull in the
otherwise full on guitar assault. They seem to be right at home on
their new US based label, as the nearest comparisons that I could make
would be bands like Fountains Of Wayne or Foo Fighters, and on tracks
like 'Bob Ross On Drugs' or '2 am' they could give many of those groups
a run for their money. An impressive example of Dutch rock.
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